New Music Roundup – October 2017

While Post Malone (real name Austin) might continue to dominate the singles chart, the more interesting stuff is (as is increasingly the case) to be found away from the top 40.


If you hanker for the days when Taylor Swift just made inoffensive country-infused pop music, then you’re in for a treat once you discover the breezy sound of Kelsea Ballerini. Her second album Unapologetically is out now and it’s a solid collection of MOR country with a handful of enormous choruses.

Single Unapologetically is probably the highlight here, and while it couldn’t be less visionary or original, Ballerini does what she does pretty well.

I’ve been a huge fan of Kelly Clarkson for years now and the former American Idol star is now on her eighth album. Sadly, The Meaning Of Life is the first time that I’ve been totally underwhelmed by a Clarkson record, and that’s despite the fact that lead single Love So Soft has grown on me over recent weeks.

She gets her lungs around a couple of decent ballads here – check out I Don’t Think About You – but I’m not a fan of the direction she has taken here. It doesn’t matter though, as Christmas is nearly here and so I can get the brilliant Wrapped In Red out for another year.

I never thought I’d see the day where I’d be recommending any album closely associated with Russell Crowe, but his new collective Indoor Garden Party have a record out, and while it’s not wall-to-wall brilliant it certainly has its moments.

Perhaps unsurprisingly, it’s the moments where Crowe relinquishes lead vocal duties that are the highights. Single Out Of Range is a really solid power ballad, and Samantha Barks (off of Les Miserables has a superb voice.

Some of the record sounds like Crowe doing rabble-rousing Australian drinking songs, but overall it’s certainly got enough going for it to be worth a listen.


Erik Jonasson’s debut single Like A Funeral was so good that I honestly didn’t think he’d ever be able to hit those heights. Then, along came Autumn Falls – one of my singles of 2016 – and now Jonasson is back with a new single. I’m not sure Those Words ever quite reaches the brilliance of his previous releases, but I love it and I cannot wait for a full album to finally emerge.

I’m a massive fan of singer/songwriter Frances and she’s teamed up with Grey on their new single Room 101. It seems like a gentle ballad but gets really interesting towards the end thanks to some amazing production. A real grower, this one.

Tom Chaplin is joining the Christmas album bandwagon this year, although there is hope as at least two-thirds of it is brand new material. Lead single Under A Million Lights is decent enough, even if it does sound like Keane hit Higher Than The Sun and is guilty of some rather Dr Seuss-esque rhymeage.

Other stuff to check out includes Scar, the great debut track from Tremors, The VHS Collection’s So I Met Someone and It’s A Shame, where First Aid Kit properly get their country rocks off.

One of the best pop records of the last few months comes from Rae Morris ahead of her second album, due in February 2018. Do It is just the chirpiest and catchy single currently around, and if here upcoming record is half as good as this it promises to be a treat.

What about you? Like any of these? What have you been listening to?

New Music Roundup – September 2017

Album of the Month - September 2017

While ear-scraping raggaeton and the meh return of Sam Smith dominate the singles charts, there’s been plenty of decent new music this month. (Incidentally, Sam Smith’s new single is called Too Good At Goodbyes. A few years ago, David Arnold and Don Black wrote a potential James Bond theme called No Good About Goodbye which was recorded by Shirley Bassey on her 2009 album The Performance. Of course, Smith recorded the most recent Bond theme (the highly mediocre Writing’s On The Wall). Coincidence? I’m just saying).


With a voice half-way between Cher and Claire Maguire, Betsy is one of this year’s best new artists. Her single Waiting is one of the best pop records of 2017 so far and her self-titled debut album finally arrived last week. At times weird and orchestral, at times sounding like early 90s Lisa Stansfield, its a very fine collection of songs.

Five albums from American and Canadian indie/rock bands have arrived in the last few weeks, and all have their highlights. I’m yet to be entirely convinced by Arcade Fire‘s Everything Now despite the brilliance of the lead single and one or two other tracks. Perhaps it needs more listens, as does the Fleet FoxesCrack-Up which is beautiful in places but harder to get in to than their previous work.

A much better album is A Deeper Understanding, The War On Drugs‘ follow-up to 2014’s Lost In The Dream. I adore this record from start to finish, particularly singles Pain and the beautiful Strangest Thing. Despite not being entirely sure on first listen I’m also really enjoying The National‘s Sleep Well Beast. I really liked their two lead singles (Guilty Party and Carin At The Liquor Store) and while at first I thought the rest of the album didn’t measure up, it’s growing on me enormously.

It’s also mentioning Wonderful, Wonderful, the fifth studio album from The Killers. It’s their best selection of songs in years and while it doesn’t mark any musical departure, the likes of Rut and Have All The Songs Been Written? are terrific.

I have long thought that Dua Lipa was a cut above most of the pop dross currently hanging around the top 40, and she has finally got a real breakthrough with number one single New Rules. It’s actually one of the weakest songs on her debut album, which is a decent pop record and features the brilliant Be The One (but not, sadly, the excellent Martin Garrix duet Scared To Be Lonely).

The Scandinavians are pretty adept at making decent pop and another good record that arrived in September was Lovers, the debut album from Anna of the North. It’s a simple, pop record with some pretty sparse production but it’s really likeable and Anna Lotterud is quite a talent.

(While we’re talking Norwegian pop, the brilliant Donkeyboy have a brand new single out. Kaleidoscope never quite hits the heights of some of their previous releases, but is a decent pop tune nonetheless.)

I’ve been a fan of Canadian popstrel Lights for years and her new album Skin & Earth is a really great collection of power pop (try Savage). OMD are legends and while I’m not sure new album The Punishment of Luxury is quite up there with English Electric and History of Modern it’s still a superior piece of synth pop (I like The View From Here very much).

Perhaps the biggest surprise this month is Jake Bugg‘s fourth album. I have hitherto not been even a small fan of his work, but this dreamy slice of 70s West Coast is really quite engaging and Hearts That Strain is, by some distance, the best thing he has done.


You may have thought that they had given up years ago but Starsailor are back with a new record and single FIA is really quite something. Featuring a falsetto vocal from frontman James Walsh, the lyrics get a little clichéd towards the end but until then it’s a really great track.

Occasionally a song comes along from an artist you’re not a huge fan of that really turns out to be quite something. I’m not entirely sure what made me listen to Sara Bareilles‘ new single If I Dare and all I know about it is that it’s from the new Battle of the Sexes movie. It’s a haunting, powerful ballad with a really unusual structure and I have to say I absolutely love love love it.

And finally, while we’re on the subject of movies, the one soundtrack I’ve come back to more than once in the last couple of months is Daniel Hart‘s terrific work for A Ghost Story. It’s a haunting film with a terrific soundtrack, and includes I Get Overwhelmed by Dark Rooms (which was used in the trailer).

Other new bands to have a look at are Skinny Living (Why? is terrific), Sloes (listen to Where To Start) and The Howl and the Hum, whose Godmanchester Chinese Bridge is one of my favourite guitar singles of 2017 so far.

Another roundup to come soon. What’s been on your radar this month?